dr Jan Lorenz

dr Jan Lorenz

Assistant Professor, Department of Social Anthropology

Room: 2.29/2.46
Phone: 61 829 13 81
E-mail: jan.lorenz@amu.edu.pl

Office hours:

Wednesday 15.00 -16.30 (online)

 

My ethnographic research, writing and creative work encompass a wide spectrum of topics, but boil down to fundamental questions about human (and non-human) condition within and beyond its specific instantiations. Much of my work in the last decade, looked at from that perspective, explored transitions between states of being, subjectivities and the boundaries of otherness. I have written about self-formation in communal and personal projects of religious conversion and ethnoreligious “revival” and explored how people adopt and adapt to ethical and legal obligations in attempts to transform themselves. While I understand and approach anthropology of religion as a field requiring a wide perspective and competences, a substantial part of my ethnographic research focused on people embracing or converting to Judaism. That in turn involved engaging with the religious context in a wider perspective, primarily that of Catholicism and Evangelical Christian denominations that many of the converts grew up in or belonged to. My research interests and inquiries also encompass contemporary Buddhism as well as the religious and ethical dimensions of new technologies. Another field of my inquiry and output, close to my methodological commitment to multi-modal anthropology, is the interrelated topics of sensory perception, materiality and corporeality. In that respect I have done research on experimental media art, and engaged with these dimensions of existence and experience in my ethnographic films and audio-visual projects. I am a member of the Commission on Visual Anthropology of the IUAES.   I am particularly interested in supervising theses on the following topics:
  • anthropology of religion
  • anthropology of ethics
  • subjectivity and self-formation
  • anthropology of science, technology and society (artificial intelligence, robots and automatons, virtual worlds),
  • anthropology of the senses and of materiality
  • anthropology of belonging and relatedness
  • visual anthropology
  • art

2021, Tactics of Transformation: Self-formation and the Multiplicity of Authority in Polish Conversions to Judaism. In Rules and Ethics: Global perspectives from anthropology and history, edited by Morgan Clarke and Emily Corran, 169-189, Manchester: Manchester University Press.

2021, „The sound exists only in your own body”. Sensory approximation of visual and aural impairment in media art projects. Visual Anthropology 34(1).

2021, Being and Becoming. Polish Conversions to Judaism and the Dynamics of Affiliation. In Polin: Studies in Polish Jewry Vol. 33: Jewish Religious Life in Poland since 1750, edited by Ada Rapoport Albert and Marcin Wodziński, 425-437, Liverpool: Liverpool University Press.

2018, “Belief.” In Oxford Bibliographies in Anthropology, edited by John Jackson. New York: Oxford University Press. DOI: 10.1093/OBO/9780199766567-0190

2016, Polish newcomers to Jewishness: A reflection in the wake of the revival. In Becoming Jewish: New Jews and Emerging Jewish Communities in a Globalized World, edited by Netanel Fisher and Tudor Parfitt, 167-184. Newcastle upon Tyne: Cambridge Scholars Publishing.

2016, Shades of closeness. Ontologies of belonging and becoming in a contemporary Jewish Community in Poland. In Boundaries, Identity and Belonging in Modern Judaism edited by Maria Diemling and Larry Ray, 63–75, Abingdon, Oxon: Routledge.

2015, Counting as one. Moral encounters and criteria of affinity in Polish Jewish congregation. HAU: Journal of Ethnographic Theory 5(2): 51-81.

2011, Życie w miejscu śmierci. Muzeum/Obóz Stutthof w świetle doświadczenia I percepcji jego współczesnych mieszkańców. In Sztutowo czy Stutthof. Oswajanie krajobrazu kulturowego edited by Łukasz Banaszek and Magdalena Wosińska, 173–87, Sztutowo: Muzeum Stutthof w Sztutowie. [Life in a place of death. Museum/Camp Stutthof in the experience and perception of its contemporary inhabitants. In  Sztutowo or Stutthof?  The taming of the cultural landscape.]

2007, ‘Blizny od gwoździ. Haitański zombie jako idiom kulturowy i metafora traumy.’ Kultura i Społeczeństwo 51(4): 101–17. [The nail scars. Haitian zombie as a cultural idiom and the metaphor of trauma.]

2017, A co-investigator in the “Visualising the Invisible: Using visual ethnography to explore extra-institutional activism of migrants and ethnic minorities” visual anthropology project funded by British Academy/Leverhulme (with Dr Piotr Goldstein (PI), University of Manchester)

2014, Becoming Oneself, Becoming Another: Conversion to Judaism in contemporary Poland. Postdoctoral Fellowship, Centre for Jewish Studies, University of Manchester

2013, Informal Jewish education in Poland and creative practice with visual media, Centre for East European Language–Based Area Studies Research Internship (participatory video project and film workshop)

2008, „Relentless dybbuk. The loss, the memory and the revival of Jewish life in post-socialist Poland” Doctoral Fellowship

Ethnographic films

 

2019     Active (citizen), 30 min, in collaboration with Dr Piotr Goldstein

Awards:

  • Best Short Documentary, Capital Filmmakers Festival Berlin 2021
  • Special Prize, Green Montenegro International Film Festival 2021

Selected screenings (including official selection at film festivals):

  • Ethnografilm Festival 2022 (confirmed)
  • 14th International Kuala Lumpur Eco Film Fest
  • Capital Filmmakers Festival Berlin 2021
  • Green Montenegro International Film Festival 2021
  • 8th International Documentary Festival of Ierapetra 2021
  • Association for Slavic, East European, and Eurasian Studies 2021 Convention Film Programme
  • SIEF (International Society for Ethnology and Folklore) Audiovisual Programme 2021
  • The Festival of Romani Film „AKE DIKHEA?” 2020
  • Kratovo Ethnographic Film Festival 2019
  • Film Programme, International Union of Anthropological and Ethnological Sciences Inter-Congress 2019

 

2014     Passage, 45 min., Granada Centre for Visual Anthropology, University of Manchester

Selected screenings (including official selection at film festivals):

  • Nordic Anthropological Film Association Ethnographic Film Festival 2015
  • British Association for Jewish Studies Annual Conference, 2013 (pre-premiere)

 

2009     Star, 25 min., Granada Centre for Visual Anthropology, University of Manchester